On his first day on the job as a Los Angeles narcotics officer, a rookie cop goes beyond a full work day in training within the narcotics division of the L.A.P.D. with a rogue detective who isn't what he appears to be.
After a ferry is bombed in New Orleans, an A.T.F. agent joins a unique investigation using experimental surveillance technology to find the bomber, but soon finds himself becoming obsessed with one of the victims.
Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
Following the death of his employer and mentor, Bumpy Johnson, Frank Lucas establishes himself as the number one importer of heroin in the Harlem district of Manhattan. He does so by buying heroin directly from the source in South East Asia and he comes up with a unique way of importing the drugs into the United States. As a result, his product is superior to what is currently available on the street and his prices are lower. His alliance with the New York Mafia ensures his position. It is also the story of a dedicated and honest policeman, Richie Roberts, who heads up a joint narcotics task force with the Federal government. Based on a true story.Written by
Former DEA agents Jack Toal, Gregory Korniloff, and Louis Diaz filed a lawsuit against Universal Pictures, saying that the events in the film were fictionalized, and that the film defamed them and hundreds of other agents. The lawsuit was eventually dismissed, since it technically failed to show anyone identifiable as a DEA agent. See more »
During the Bronco chase after the $20,000 drug purchase, interior shots of show a Torino name plate on the dashboard. Exterior shots show a Cadilac. See more »
At the end of the closing credits, Frank Lucas approaches the camera and fires one shot from a pistol directly at the audience. See more »
The 175 min.-unrated extended version includes approx. 19 minutes of additional footage not seen in the theatrical release. Among the highlights are:
A flashback with Frank Lucas and Bumpy Johnson on a boardwalk
A short scene showing Richie Roberts acquiring office space for his new narcotics task force (this added scene follows immediately after Toback assigns Roberts to head up the federal investigation using honest cops of Roberts' choice)
A nighttime scene where Roberts and his team tail a drug pusher with a stash of Blue Magic to an auto body shop; the next morning, Spearman strikes a deal with the shop owner "Scott" over the phone, which leads up to Roberts under disguise dropping off $20,000 to get a supply of Blue Magic
In the Bronx, right after Spearman drops off Roberts and informs him that he'll circle the block, an extended scene takes place where Roberts sees both Scott take off in his Jeep and Spearman getting blocked by a broken-down truck, unable to reach Roberts. In desperation, Roberts stops a yellow cab and shows his badge, argues with the uncooperative cabbie to use it, and eventually decks the cabbie in the face to take control of the cab and quickly pursues the escaping drug pusher, ending with Roberts following the unsuspecting Scott on foot.
After the Christmas visit with Charlie Williams, there's an extended scene with Frank and Eva back at their home, where Frank reminisces how Bumpy gradually stayed more and more at home towards the end of his life because of constant police surveillance. He then asks Eva if she wants to go out, nevertheless.
An extended ending in 1991 where Lucas upon release from jail is picked up by Roberts, and the two make their way towards the intersection of 116 St. and Frederick Douglass Blvd, conversing while drinking lattes.
Watch American Gangster without preconceived ideas. While the film is long it never drags. You don't get the sense that you've seen this movie before. It's not Serpico. It's not The Wire. It's not The Sopranos. While much is going on, the story is easy to follow. There is action, but this isn't an "action movie".
Both Denzel Washington and Russell Crowe act convincingly and give depth to their characters.
The film leaves you wanting to know more about about happened to the lead characters. You care about them that much. Now *that's* film making.
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