Adam tells us the story of an older cousin, who had cerebral palsy. Adam would go over to play, and they'd dress as superheroes, jump off the shed, and run about the the street with an old ... See full summary »
The Moon and the Son, a 30-minute autobiographical animated film by John Canemaker, explores the difficult emotional terrain of father/son relationships as seen through Canemaker's own ... See full summary »
Compilation of 10 funny comedy short films from over the world. With: Harvie Krumpet (Australia), HomeGame (Norway), Oedipus (UK), Une Fameuse Journee (Belgium), Meine Etern (Germany), ... See full summary »
The sad, strange life of Harvie, who is born into an impoverished Middle European existence, and whose one constant is the book of "fakts" he keeps adding to, worn around his neck. After a childhood tragedy, he emigrates to Australia, where he has a succession of menial jobs, eventually ending up in a retirement home. Along the way, he has a string of bad luck, leaving him with, among other things, a steel plate in his skull that becomes a magnet.Written by
Jon Reeves <firstname.lastname@example.org>
This is the first feature film from writer/director Adam Elliot who previously wrote & directed 3 short films titled: "Brother", "Uncle" & "Cousin". Adam Elliot would later write & direct his second feature film "Mary & Max" which would end up being an award winning animated film. See more »
I came upon this film by accident--the Australian production company approached my company to license music for "Harvie Krumpet", and after looking at Adam's earlier films we agreed. When I received a VHS tape of Harvie, I was thrilled, not just because of our music, (we got paid whether it was good or not) but because I felt a sense of discovery for a very unique talent and world view. Harvie's world of deadly boredom mixed with equal parts of magic and joy sets this film apart. It seems that Adam Elliot has a great mix of talent--an eye for clever animation with a mind for the daily collision of ordinary and extraordinary.
Geoffrey Rush is understated yet still expressive in his narration. But the film belongs to Adam Elliott with his sight gags and "what really is the difference between tragedy and comedy" mindset.
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