Double Indemnity (1944) - News Poster


Giveaway – Win Laura on Dual Format

Eureka Entertainment releases Otto Preminger’s Laura, a deliciously well-crafted murder mystery and one of the greatest and most essential film noirs of all time, on Blu-ray as part of The Masters of Cinema Series from January 14th, and we’ve got three copies to give away!

The only question about Laura is whether it’s simply one of the greatest film noir releases ever made, or if it’s indeed the quintessential film noir. Decide for yourself. This 1944 murder mystery classic from director Otto Preminger (replacing a fired Rouben Mamoulian) has only grown in stature over the years, with its hypnotic mixture of doomed romantic obsession, dizzying intrigue, and fatalistic cynicism marking it as essential noir.

Police detective Mark McPherson (Dana Andrews) is drawn into Manhattan high society as he investigates the death of stunning ad exec Laura Hunt (Gene Tierney), apparently shotgunned in her own apartment. The slithery suspects are numerous,
See full article at Flickeringmyth »


For directing skill and sensual sophistication this psychologically intense murder tale equals or betters the most sophisticated American noirs. Julien Duvivier gives us Michel Simon as Monsieur Hire, a strange man loathed by his neighbors. Entranced by the woman he spies through his bedroom window, Hire doesn’t realize that she’s helping to frame him for murder, and then set him out like bait for a vengeful mob. The restored French classic is a beauty in every respect; the extras include a highly educational, must-see discussion of movie subtitling, by Bruce Goldstein.



The Criterion Collection 955

1946 / B&W / 1:37 flat full frame / 98 min. / available through The Criterion Collection / Street Date December 18, 2018 / 39.95

Starring: Michel Simon, Viviane Romance, Paul Bernard, Charles Dorat, Lucas Gridoux.

Cinematography: Nicolas Hayer

Film Editor: Marthe Poncin

Special Effects: W. Percy Day

Original Music: Jean Weiner

Written by Julien Duvivier, Charles Spaak from a novel by
See full article at Trailers from Hell »

Hollywood Choreographer Miriam Nelson Dies at 98

  • Variety
Hollywood Choreographer Miriam Nelson Dies at 98
Miriam Nelson, who worked extensivley as a choreographer during Hollywood’s golden age, died on Aug. 12 at her home in Beverly Hills, Calif., according to her longtime friend James Gray. She was 98.

Nelson was the choreographer for “Breakfast at Tiffany’s,” “The Jolson Story,” “Picnic,” “Hawaii,” “Bob & Carol & Ted & Alice,” and “The Apartment.” She also appeared as an actress in “Double Indemnity,” “Cover Girl,” “The Jolson Story,” “Breakfast at Tiffany’,” and “Pillow Talk.” Nelson choreographed the dancers on the opening day of Disneyland in 1955, two Academy Awards and two Super Bowl halftime shows.

Nelson was widely known for her enthusiasm for dancing. John Wayne once shouted to a group taking a break on set as she walked by, “Run for the hills, fellas! Or Miriam will make you dance!”

She was born Miriam Lois Frankel on Sept. 21, 1919, in Chicago and began tap dancing at a very young age.
See full article at Variety »

Exclusive Interview: Paul Kyriazi on Forbidden Power

david j. moore chats with filmmaker Paul Kyriazi on Forbidden Power…

In the heyday of the grindhouse era, it was quite common for filmmakers to use action, sex, and thrills to spice up their genre jambalayas, and filmmaker Paul Kyriazi came up during that period, with cult classics like Death Machines (1976), The Weapons of Death (1981), Ninja Busters (1984), and Omega Cop (1990) to his credit. After a long hiatus (nearly 30 years!), Kyriazi is back with the sexy science fiction film noir hybrid Forbidden Power, which hinges on the story hook “What if a man contracts sexually transmitted superpowers?” The plot has the hero running away from danger straight into more danger, and making a stunning discovery that his newly developed powers are part of a grand design to take over the world. In this candid interview, Kyriazi discusses his inspirations for this outlandish genre adventure, while also discussing the themes of the film at length.
See full article at Flickeringmyth »

Beauty vs Beast: Live Without Masters

Jason from Mnpp here with this week's "Beauty vs Beast" for you people to vote yourselves silly with -- did you know that today would have been the 51st birthday of the great Philip Seymour Hoffman? He's been gone over four years now and I ache to think of all the performances we've missed out on. No I wouldn't have given him that Oscar over Heath Ledger either, but he wasn't even nominated for the greatest film of the past two decades (that would be Synecdoche New York) so the injustices, they pile up.

But we're here to talk about another film, one I have come hard around on since its release - I was cool to Paul Thomas Anderson's The Master in 2012 but my affection for it has grown with time; I'm pretty keen on it now, with its medicinal greens and hard elbows. It's only right, it
See full article at FilmExperience »

Barry Levinson: The Oscar-Winning Director Who Decades Ago Saw TV’s Peak Potential and Trump-like Danger

Barry Levinson: The Oscar-Winning Director Who Decades Ago Saw TV’s Peak Potential and Trump-like Danger
This weekend, Academy Award-winning director Barry Levinson (“Rain Man”) will be honored with the Crystal Globe for outstanding artistic contribution to world cinema at the Karlovy Vary Film Festival in the Czech Republic. Levinson’s feature filmmaking career has been long and varied, having started with writing for Mel Brooks before directing movies that ranged from the personal (“Diner”) to Robin Williams comedies to Oscar-nominated dramas to prescient political satires and Al Pacino-starring biopics (“Paterno” “You Don’t Know Jack”).

Hollywood no longer makes the type of mid-budget, theatrically released feature films Levinson became known for, but he doesn’t share many of his contemporaries’ dismay about the industry’s significant shift toward TV and streaming. A decade before “The Sopranos” and “The Wire” helped usher in the current “Peak TV” wave, Levinson and his Baltimore Pictures was responsible for introducing then-reporter David Simon to TV with “Homicide: Life on the Street
See full article at Indiewire »

Danger Signal

Ah romance! A handsome stranger takes a room in your house, lets you feed him and doesn’t pay the rent — of course he’s the perfect man of your dreams. Excellent WB players Faye Emerson and Zachary Scott enliven an odd mix of moods in a tale of a murderous Bluebeard- boyfriend. Director Robert Florey’s thriller is half stylish spook show, and half romantic sitcom. With Dick Erdman, Rosemary DeCamp and perky Mona Freeman as the little sister who needs to be told, ‘Don’t you do what your big sister done.’

Danger Signal


The Warner Archive Collection

1945 / B&W / 1:37 flat Academy / 78 min. / Street Date March 6, 2018 / available through the WBshop / 21.99

Starring: Faye Emerson, Zachary Scott, Dick Erdman, Rosemary DeCamp, Bruce Bennett, Mona Freeman, John Ridgely, Mary Servoss, Joyce Compton, Virginia Sale, Robert Arthur.

Cinematography: James Wong Howe

Film Editor: Frank Magee

Original Music: Adolph Deutsch

Written by Adele Comandini,
See full article at Trailers from Hell »

Drive-In Dust Offs: The Night Walker (1964)

William Castle is a name synonymous with hucksterism and showmanship, more so than the quality of the films he directed. Which isn’t really fair, it’s just that his gimmicky pieces like The House on Haunted Hill and The Tingler (both 1959), with skeletons flying through the audience and buzzers placed under theatre seats respectively, overshadowed an unsubtle but solid directorial style when unburdened by showbiz trappings. Such is the case with The Night Walker (1964), a Robert Bloch (Psycho) scripted thriller that delves into the dream world in effective ways.

Released in late December by Universal, The Night Walker received some good notices but left audiences sleepy. Perhaps the perceived combination of shock master Bloch and schlock meister Castle didn’t match what made it to the screen; indeed it’s a different tale told in a different manner than either was used to telling, yet has a sometimes eerie
See full article at DailyDead »

Five Classic Neo-Noirs You Can Watch Right Now on FilmStruck

Five Classic Neo-Noirs You Can Watch Right Now on FilmStruck
In his 1972 essay “Notes on Film Noir”, film critic-turned-screenwriter/director Paul Schrader wrote on how the genre was “not defined…by conventions of setting and conflict, but rather by the more subtle qualities of tone and mood.” It’s a mood best described as ‘you’re screwed, pal.’

Cynicism has always been at the heart of film noir, a genre full of desperate characters clinging to the shadows of world that’s forgotten them. It’s a cynicism born out of post-War disillusionment and anxiety that spawned the genre’s heyday from the early-40s all the way through the mid-1950s when suddenly “Dragnet” and “Leave it To Beaver” were reaffirming America’s squeaky-clean Eisenhower-era view of itself.

But with the post-Watergate 70s and Cold War 80s came a new slew of anxieties as the genre evolved, this time with less Hollywood restrictions. That meant more sex, more violence,
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Elevator to the Gallows

Louis Malle’s French thriller is cooler than cool — his first dramatic film is a slick suspense item with wicked twists of fate and images to die for: 1) Jeanne Moreau at the height of her beauty 2) walking through beautifully lit Parisian back streets 3) accompanied by a fantastic Miles Davis soundtrack. Murder in Paris doesn’t get any better.

Elevator to the Gallows


The Criterion Collection 335

1957 / B&W / 1:66 anamorphic 16:9 / 88 min. / Ascenseur pour l’échafaud, Frantic / available through The Criterion Collection / Street Date March 6, 2018 / 39.95

Starring: Jeanne Moreau, Maurice Ronet, Georges Poujouly, Yori Bertin, Jean Wall, Iván Petrovich, Elga Andersen, Lino Ventura, Charles Denner.

Cinematography: Henri Decaë

Film Editor: Léonide Azar

Original Music: Miles Davis

Written by Louis Malle, Roger Nimier, Noël Calef from his novel

Produced by Jean Thuillier

Directed by Louis Malle

French director Louis Malle’s first fiction film is an assured and artistically adventurous suspense item. Unlike
See full article at Trailers from Hell »

Oscars 2018: Guillermo del Toro (‘The Shape of Water’) or Jordan Peele (‘Get Out’) would be 8th winner for writing, directing, And producing

Oscars 2018: Guillermo del Toro (‘The Shape of Water’) or Jordan Peele (‘Get Out’) would be 8th winner for writing, directing, And producing
Guillermo del Toro (“The Shape of Water”) and Jordan Peele (“Get Out”) joined an elite group of filmmakers who received Oscar nominations for writing, directing and producing the same film. In the academy’s 90-year history, only 26 other people pulled off this hat trick. Peele is the first black filmmaker to do so, while del Toro is only the second Latin American after his filmmaking amigo Alejandro Gonzalez Inarritu.

Now del Toro and Peele are hoping to join the even more exclusive club of seven filmmakers who won all three prizes in one night. Considering they’re in direct competition with each other for Best Picture, Best Director, and Best Original Screenplay (where del Toro competes alongside co-writer Vanessa Taylor), it’ll be an especially tricky feat to pull off.

Leo McCarey was the first person to win the big three for “Going My Way” (1944), a lighthearted comedy starring Bing
See full article at Gold Derby »

They’ve Got the Look: Inspiration for Sci-Fi Characters

  • Cinelinx
Some of the most famous and popular science fiction characters in modern times were visually inspired by earlier creations or even real people. Cinelinx takes a look at five well-known sci-fi characters and what motivated their appearances.

While these five characters had various inspirations for their personalities and purpose, their specific looks have a clear precedent.

The Joker was based on Gwynplaine from The Man Who Laughs: When Bob Kane needed to come up with the iconic look of the Batman’s soon-to-be arch nemesis, he took inspiration from the 1928 silent film The Man Who Laughs, starring Conrad Veidt. For those unfamiliar with Veidt, he played the first-ever film zombie in the silent classic The Cabinet of Doctor Caligari (1920), and was also Jaffar in the live-action adaptation of Aladdin, called The Thief of Bagdad (1940). The film tells the story of Gwynplaine, the son of an executed 17th century nobleman,
See full article at Cinelinx »

The Apartment Special Limited Edition Blu-ray from Arrow Films Available December 26th

“When you’re in love with a married man, you shouldn’t wear mascara.”

The Apartment (1960) starring Jack Lemmon and Shirley MacLaine is available on Blu-ray from Arrow Films December 26th. It can be ordered Here.

In 1960, following on from the success of their collaboration on Some Like it Hot, director Billy Wilder (Ace in the Hole, Sunset Boulevard) reteamed with actor Jack Lemmon (The Odd Couple) for what many consider the pinnacle of their respective careers: The Apartment.

C.C. ”Bud” Baxter (Lemmon) is a lowly Manhattan office drone with a lucrative sideline in renting out his apartment to adulterous company bosses and their mistresses. When Bud enters into a similar arrangement the firm’s personnel director, J.D. Sheldrake (Fred MacMurray, Double Indemnity), his career prospects begin to look up… and up. But when he discovers that Sheldrake’s mistress is Fran Kubelik (Shirley MacLaine), the girl of his dreams,
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Suburbicon review

George Clooney directs a talented star-studded cast in this comedy crime film that never stops twisting and turning...


The film opens on the utopic images of the too-good-to-be-true neighbourhood of Suburbicon, presented in lifestyle magazines as the picture of domestic bliss and social harmony. The quaint houses, the tree lined streets, the picket fences; it’s all very… well, white. The year is 1957 and the picture-perfect town is being shaken by a new arrival. A black family have moved in and, to the neighbourhood’s horror, they seem to be making no apology for attempting to live the same quiet, serene life enjoyed by all the other residents.

Shortly after the young African American family move in next door, the Lodge family experience a traumatic home invasion. Two unknown white men tie the family to chairs and Gardner (Matt Damon), his wife Rose (Julianne Moore), their son Nicky (Noah Jupe
See full article at Den of Geek »

Podcast Smackdown Companion: Gaslight, Since You Went Away...

Please read the Supporting Actress Smackdown of 1944 before listening please!

After voting in the Smackdown Nathaniel and the panel which included Mark Harris, Loren King, Farran Smith Nehme, Molly Pope, and Matthew Rettenmund got together to talk about the five films we watched and that era in Hollywood during World War II. We hope you enjoy the conversation!

Index (62 minutes)

00:01 Introductions of the Panel

03:00 Dragon Seed, yellowface, production trouble, and Oscar theories

11:50 Since You Went Away, war propaganda, and acting styles

24:00 None but the Lonely Heart, Cary Grant, Barrymore and "great lady" acting

38:50 Gaslight and Mrs Parkington

51:30 Our favorites of 1944 including Meet Me in St Louis and Double Indemnity

57:30 The forgotten Wilson, final Oscar notes and goodbyes.

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you?

Gladys Cooper downing the drinks!
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Suburbicon – Review

Strap yourself in for another trek in the cinema “way-back” machine at your local multiplex. And for once it’s not a “biopic” or a story “inspired by true events” like Marshall or Breathe. Yes, it’s pure fiction but it is set firmly in the real world. The movies have often viewed the 1950’s through the “rose-tinted” lens of nostalgia, as if yearning for that simpler, more innocent time. TVeven joined in with its long running hit “Happy Days” (that 70’s show now has its own nostalgic glow, as seen in the recent Kingsmen: The Golden Circle). Sure, they were indeed happy days…if you were part of the right social class, religion or race. . That’s the view of this new film, no surprise since it sprang from the minds of Joel and Ethan, the Coen brothers. But they’re not behind the camera on this project (supposedly
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'Suburbicon' Review: George Clooney's Satire Goes From Righteous to Toothless

'Suburbicon' Review: George Clooney's Satire Goes From Righteous to Toothless
This scattershot satire of the dark underbelly of 1950s suburbia feels like a movie the Coen brothers forgot to make. It is their script, which means the laughs still have bite. And the director is George Clooney, who's previously worked as an actor with the Coens, sometimes smashingly (O Brother Where Are Thou, Burn After Reading), sometimes not (Intolerable Cruelty). But the star, staying behind the camera here, lacks the instinct to go for the jugular the way the material demands. Clooney and his producing partner Grant Heslov updated the
See full article at Rolling Stone »

Neo Noir Pays Homage to Welles' Crime Drama and Other Classics of the '40s and '50s

Neo Noir Pays Homage to Welles' Crime Drama and Other Classics of the '40s and '50s
Trouble Is My Business with Brittney Powell. Co-written by actor/voice actor Tom Konkle, who also directed, and Xena: Warrior Princess actress Brittney Powell, Trouble Is My Business is a humorous homage to film noirs of the 1940s and 1950s, among them John Huston's The Maltese Falcon and Orson Welles' Touch of Evil. Konkle stars in the sort of role that back in the '40s and '50s belonged to the likes of Humphrey Bogart, Robert Mitchum, Dick Powell, and Alan Ladd. As the femme fatale, Brittney Powell is supposed to evoke memories of Jane Greer, Lizabeth Scott, Lauren Bacall, and Claire Trevor. 'Trouble Is My Business': Humorous film noir homage evokes memories of 'The Maltese Falcon' & 'Touch of Evil' A crunchy, witty, and often just plain funny mash-up of classic noir tropes, from hard-boiled private dicks to the easy-on-the-eyes femme fatales – in addition to dialogue worthy of Dashiell Hammett and, occasionally
See full article at Alt Film Guide »

The Sea Wolf

Now restored to perfection, this genuine classic hasn’t been seen intact for way over sixty years. Michael Curtiz and Robert Rossen adapt Jack London’s suspenseful allegory in high style, with a superb quartet of actors doing some of their best work: Robinson, Garfield, Lupino and newcomer Alexander Knox.

The Sea Wolf


Warner Archive Collection

1941 / B&W / 1:37 flat Academy / 100 min. uncut! / Street Date October 10, 2017 / available through the WBshop / 21.99

Starring: Edward G. Robinson, Alexander Knox, Ida Lupino, John Garfield, Gene Lockhart, Barry Fitzgerald. Stanley Ridges, David Bruce, Francis McDonald, Howard Da Silva, Frank Lackteen, Ralf Harolde

Cinematography: Sol Polito

Film Editor: George Amy

Art Direction: Anton Grot

Special Effects: Byron Haskin, Hans F. Koenekamp

Original Music: Erich Wolfgang Korngold

Written by Robert Rosson, from the novel by Jack London

Produced by Hal B. Wallis, Henry Blanke

Directed by Michael Curtiz

Chopping up films for television was once the
See full article at Trailers from Hell »

Philip K. Dick’s Electric Dreams episode 4 review: Crazy Diamond

Louisa Mellor Oct 8, 2017

Crazy’s the right word for it. Electric Dreams delivers its most unusual, packed episode yet…

This review contains spoilers.

See related Star Trek: Discovery episode 3 review - Context Is For Kings Star Trek: Discovery episode 2 review - Battle At The Binary Star Star Trek: Discovery episode 1 review - The Vulcan Hello

1.4 Crazy Diamond

Forty-four novels, one hundred and twenty-one short stories, six published volumes of correspondence… nobody could ever say Philip K. Dick lacked for ideas. The same goes for this week’s Electric Dreams, which is, to use a technical term, chocka. There’s environmental collapse, a dystopian level of state control, widespread infertility, implanted consciousnesses, maritime-themed sci-fi architecture, Julia Davis, a gang of piratic teddy boys, Syd Barrett, and a race of chimeric pig-people.

And that’s before the plot even kicks in. Crazy Diamond has packed its hour of screen-time to the rafters.
See full article at Den of Geek »
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