In the midst of the Russian Revolution of 1905, the crew of the battleship Potemkin mutiny against the brutal, tyrannical regime of the vessel's officers. The resulting street demonstration in Odessa brings on a police massacre.
Sergei M. Eisenstein
A man opens the big gates to the Lumière factory. Through the gateway and a smaller doorway beside it, workers are streaming out, turning either left or right. Most of them are women in ... See full summary »
In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
It is only in 2010 that a complete restoration could be launched, 109 years after its creation. See more »
The size of the space capsule is inconsistent throughout the entire feature. It is, apparently, big enough to carry multiple people, yet when a Selenite is seen on the back of the capsule following its return to the Earth, he is almost as big as the entire capsule. See more »
One print has "Echoes" by Pink Floyd on the soundtrack. See more »
This is a wonderful historical treasure, made with care and skill by one of the masters of early motion pictures. It is also entertaining to watch, in addition to its historical value, since it is loaded with creative ideas both in the story and in the way it was made.
While many of the techniques that Méliès used are now considered outdated, almost of them still hold up well as you watch it. It's fascinating to see the ways that he used his amazing imagination to solve some of the technical challenges, in order to produce the effects that he wanted.
It's equally fascinating to see the conception of space travel (mostly based on Jules Verne). It may have scientific flaws that are known to later generations, and it is sometimes stylized, but it shows marvelous inventiveness. It's no wonder that this is one of the best-remembered films from cinema's earliest years.
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